Dutch Baroque Era Painter , Amsterdam 1640/42-1719 Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.   Related Paintings of Jan Weenix :. | An Italian Seaport | A Deerhound with Dead Game and Implements of the Chase | After the Hunt | Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple | Een aap en een hond bij dood wild |
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Joseph Vivien
(1657 - 5 December 1735) was a French painter of Lyon. He left his native Lyon for Paris at the age of twenty and found employment in the large atelier of Charles Le Brun, the equivalent of an academy. He made his reputation by his portraits in pastels, to which he gave a sparkle and immediacy hitherto unreached in that medium. He was received in the Academie royale de peinture et de sculpture in 1701, under the designation peintre en pastel. He was appointed counsellor to the Academy and provided lodging under royal auspices at the royal manufactory of the Gobelins. From Paris he visited Brussels. Vivien was taken up by the francophil Elector of Cologne and worked at Munich, as first painter to the Elector's brother, Maximilian Emmanuel, Elector of Bavaria.
Nuzi, Allegretto
Italian, 1320-1373 .Italian painter. He was probably trained in Fabriano by local masters who introduced him indirectly to Giottesque and Sienese influences. Familiarity with the work of an anonymous artist responsible for the frescoes (Urbino, Pal. Ducale) from S Biagio in Caprile also contributed to his early style. Nuzi's first signed and dated work is a Maest? of 1345, believed to have been painted for S Domenico (formerly S Lucia) in Fabriano. This altarpiece is a close contemporary of two frescoes in the sacristy of the same church, which have been ascribed to his hand following their restoration in the mid-1970s (Donnini, 1975).
Alexei Korzukhin
(1835-1894) was Russian painter. A Korzukhin 000.JPG Korzukhin was born in Yekaterinburg on March 23, 1835. In 1858 he began his studies in the St. Petersburg in the Imperial Academy of Arts. In 1860, Korzukhin won his first award for the painting his The Drunken Father. In 1864, he help found Petersburg Artel of Artists - the "Revolt of Fourteen". Korzukhin has received a rank of the artist of the First Degree for his painting Commemoration on a Rural Cemetery (1865). For The Return of the Father from Fair, he received a rank of the academician. In 1870, he became a founding member of the art group 'The Wanderers. In 1891 he painted The Lord's Supper for a cathedral in Riga. Korzukhin is perhaps most famous for his many portraits, each of which is characterized to have a subtle psychological depth. For this reason they are generally accepted as masterpieces of Russian portrait painting. Alexei Korzukhin died in St. Petersburg on October 30, 1894.